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Cast: Sherlidas, Prithy,Rangayani
Release Date: 17 Jul 2009
Genre: Romance
Language: Tamil
Director: Velu Prabhakaran
Music Director: Illayaraja..
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Cast : Prasanna, Sneha and the Emmy Award-winning American film actor John Shea
Music Director : Karthik Raja
Producer : Ananth, Asma Hashmi, Ramzan, Arun, P Srinvasan
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Movie : Vamanan (2009)
Movie Cast: Jai, Priya Anand, Lakshmi Rai, Raguman, Santhanam
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Movie Review:
Banner: Ayngaran International
Cast: Arya, Trisha, JD Chakravarthy, Indrajith
Direction: Vishnuvardhan
Music: Yuvan Shankar Raja..
Director Vishnuvardhan seems to have mastered the art of making a trendy, sophisticated and chic film. The young film-maker often led his films do all the talking. After touching the peak in ‘Billa’, Vishnu is out to face the litmus test with ‘Sarvam’. With his trusted lieutenant Arya by his side and the likes of cinematographer Nirav Shah and music composer Yuvan Shankar Raja around, he has come up with a movie that certainly lives up to his reputation.
Vishnu has tried a marriage between commercial and real cinema in ‘Sarvam’ and seems to have succeeded fairly. Though the storyline seems to be familiar, yet with his typical visual narration, he walks away with all honours. As like his other films, Vishnuvardhan has blended romance and action at right mix.
A convincing thriller is a rarity in Tamil cinema. Vishnu has taken it in his stride and rendered a movie that is convincing and makes the audience glued to their seats. What more, he has struck to his task without deviating from the storyline.
Arya and Vishnuvardhan share a good rapport as was evident in their previous film – ‘Arindhum Ariyamalum’ and ‘Pattiyal’. With ‘Sarvam’, the duo seems to have struck a hat-trick. Polished by Bala in ‘Naan Kadavul’, Arya comes across as a cool, suave architect who runs behind Trisha in the second half and goes hammer and tongs flexing his muscles to save the life of a young innocent child.
Trisha is gorgeous and as fresh as an apple. She fits the role of a medical practitioner in love with Arya. The only disappointment is that she fades away from the story very quick. Unfortunately she hogs very little space on screen.
JD Chakravarthy, who sizzled the screen in Tollywood, plays an interesting role. However the lack of conviction in narrating his character robs away the sheen from his character. Malayalam actor Indrajith makes his debut in Kollywood playing a desperate father running from pillar to post for his son.
Karthik (Arya), a cool suave architect comes across a young doctor Sandhya (Trisha) at a Kart track. He falls for her instantly. Romance blossoms. Tragedy strikes in Karthik’s life when a kite snatches Trisha’s life. Desperate attempts to save Sandhya who is strangled by the thread of the kite ends in vain. However her heart gets transplanted for a young boy Imman (Rohan), son of Naushad (Indrajith).
A flashback reveals that Naushad had run over a football coach Eashwar’s (JD Chakravarthy) wife. He is keen to take revenge on Naushad by plotting to kill his son. Arya develops a good rapport with the child after his ladylove’s heart is transplanted to him.
Coming to know of Eashwar’s motive, Karthik steps in to save the kid. What happens then forms the climax.
Vishnuvardhan deserves all credit for making it stylish from the first frame. Nirav Shah’s lens does all the magic capturing thrilling moments well. He captures the various locales of Chennai, Rajasthan and forest lands well. Yuvan’s brisk re-recording towards the second half is praiseworthy.
On the whole, Sarvam, produced by Ayngaran International, is a visual delight that is sure to thrill the audience.
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It’s not just jewellery and the opulent lifestyle of the kings that entice people, but also their polygamic partnership that has made their lives an interesting topic for filmmakers. And bringing this exciting aspect of the lives of our kings back on screen in director Shakthi Chidambaram’s 'Rajadhi Raja'. Playing the title role and romancing six heroines with all enthusiasm is Raghava Larencce. His voyeuristic experiences with Kamna Jeethmalani, Snigtha, Meenakshi, Mumtaz, Samiksha and Kiran have already caught the attention of many an eye with the posters, which are only a sample.
Mumtaz will play a negative role in this film, and she is said to have done a character which is entirely different from her previous ones. While the first half of the film is a laugh riot, things get serious post intermission, leading to an action packed second half.
The film produced by Shakthi Chidambaram and has music by Karunaas. The film is a bilingual, made in Tamil and Telugu..
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Movie Review:
Who said commercialsm has overtaken realism in Tamil cinema? Amidst the flock of movies where the hero flex his muscles and utter punch dialogues and sings needless duets in exotic foreign locations, movies like Subramaniapuram, Paruthiveeran and Vennila Kabbadi Kuzhu proved all hopes are not lost.
Director Sasi Kumar, who brought a whiff of fresh air to Tamil cinema with Subramaniapuram last year, has taken Kollywod a step above with his next production venture Pasanga. Striking a smooth balance between real and fantasy elements, Pasanga is rare in the sense it is for the children and by the children, which is convincing and clear from the word go.
After Mani Ratnam, who charmed the audience with Anjali, a healthy clean entertainer featuring children all the way almost two decade ago, debutant Pandiraj has managed to gather guts to do a movie that dwells on the physical and psychological emotions of children.
He has used the bigger canvas to capture the joy and emotions among the innocent children. But the filmmaker has not deviated from regular cinema, for the storyline is typical to run-of-the-mill stuffs. Two pitted against each other and keen to take revenge on one another. They cross and crisscross building up to a climax where the hero prevails over the baddie. But what is strikingly different in Pandiraj’s approach is that the whole story is set around a group of children. They make you laugh, cry and sulk in emotions.
The story unfolds in a dry barren village. Anbu (Kishore), the protagonist in the film comes across his bitter foe Jeeva (Sriram) on the first day of his school. Interestingly, Jeeva happens to be son of the headmaster Nithyanandam (remember the Kalloori professor).
The good-hearted Anbu tries to mend ways and befriend Jeeva. However, Jeeva is hell-bent on taking Anbu for task. Enters Manonmani (Dharini), who develops affinity towards Anbu raising between him and Jeeva. Anbu not only excels in his academics but also in various extra curricular activities, which only widens the rift.
The fight between Anbu and Jeeva results in a rift between their respective families. However, in a twist to the tale, Meenakshi Sundaram (Vimal), Anbu’s uncle falls in romance with Sobikannu (Vega), the sister of Jeeva. Interestingly, the families get united as they agree for Meenakshi Sundaram’s wedding with Sobikannu, much against the wishes of both Jeeva and Anbu. Did they unite or not forms the climax, which has been etched out by Pandiraj in a gripping manner.
What is praiseworthy is the director’s faith in casting all newcomers and extracting the best from them. The children, needless to say, have performed on screen like seasoned professionals. Whether it is Kishore or Sriram or Dharini, they are right there delivering right expressions.
Vega, who sizzled the screen in Saroja plays a rural belle. She looks apt for the role and proves that she can handle her role with ease. Watch out for the young Pandian, who as Pakkada, can give challenge to any of the contemporary Tamil film comedians.
James Vasanthan continues from where he left in Subramaniapuram. More than his songs, his background score sets up the momentum. Veteran singer Balamuralikrishna stamps his class in Anbaley Azhagagum Veedu. Premkumar, the cinematographer, has captured the lifestyle and culture of rustic, barren land of south Tamilnadu well.
All credits should go to Sasikumar, who has made a real bold attempt by producing such a film. It is simple, straightforward and scintillating. Hats off Sasikumar and Pandiraj.
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Movie Review:
"Newtonin Moondram Vidhi", is the Tamil rendering of what is otherwise known as (Sir Isaac) Newton's Third Law (of motion), which states "For every action there is an equal and opposite reaction."
In the movie actions are aplenty. It is a simple enough tale of vendetta - a lover's retribution for the murder of his fiancee.
But, what makes the whole thing interesting is the treatment of the subject that accords no moment to the audience to second-guess the script's twists and turns.
A television anchor Priya (Sayali Bhagat) is raped and murdered by her lecherous boss J.P. (Rajeev) on the eve of her marriage to a fashion designer Guru (S.J. Suryah) - completing the original "action" part.
Narrated in the flashback mode, the proceedings begin with Suryah sporting a grim expression laying a wreath on his girlfriend's grave.
The "equal and opposite reaction" begins in right earnest when Guru warns J.P. that he will be punished for his crime with a painful death.
The rest of the tale is all about the gory "execution" of the threat.
Credited with several thriller soaps for television, director Thaimuthuselvan does a commendable job of masterminding cinematographer Saravanan's frightening frames.
Dubbed Tamil filmdom's "sleaze slob" Suryah seems to have emerged from his self-imposed shadows.
Music director Vinay's apprenticeship under Oscar award winner A.R. Rahman and Harris Jeyaraj seem to have worked wonders.
